Facebook has been asked to remove the Scrabulous application as it infringes upon Scrabble’s copyright. Scrabulous is one of the two reasons why I have not grown entirely tired of Facebook yet (the other being Staries where I’m trying to get above 19000 points because I’m a sad individual). I might reconsider my Facebook profile if Scrabulous is pulled – although there is something to be said about reconnecting with people you haven’t seen in fifteen years (what that ‘something’ is I will leave for you, dear reader, to decide).
On a much brighter note, this book just arrived in the post and seeing as I finished Jonathan Strange & Mr Norrell last night, that is damn good timing. Thoughts on Strange & Norrell will be posted once I have finished processing it in my head.
Finally, the book widget question. Now Reading appears to be quite useful as a tracking tool rather than as a library tool. By that I mean that it enables me to track what I am reading (thus making the Books 2008 page rather obsolete) but it cannot keep track of my book collection. I’ll keep it for now but any book widget suggestions are still warmly welcomed.
Edit: more on Facebook, Scrabulous and infringing copyrights
I have been playing around with widgets today trying to find
the perfect a suitable library-type widget for displaying current and past reads. I found the Now Reading widget and it seemed great. It was simple, didn’t require me to sign up to a website (Shelfari, anyone?) nor did it provide me with intrusive graphics (Shelfari, again). Unfortunately I’ve discovered that Now Reading is so simple that it is difficult to manage.
So far I have added my novels by authors A to B. That’s a measly 50-something novels*, for your information. Now Reading requires me to first add books, then click on a different tab, then decide whether it is “on hold”, “currently reading” or “finished” then I can go back to initial page where the book has already been sorted according to its status – and I start the process again. It is clumsy and not entirely intuitive. I’m not too sure about the status updates either as I have a tendency to dip in and out of books (what do you mean that I’m the only one to use most of my books as reference?!). Finally, I wanted a straightforward “to be read” option which I cannot seem to find.
Any book/library widgets you can recommend?
* yes, I still mourn the passing of my old book collection. I had to part with 7/8ths of my collection when I moved from Denmark to Scotland. The loss pains me daily and I keep finding glaring omissions in my collection. Plus I am sure I have a particular book but then I realise that I used to have it. It’s no fun at all.
One of my biggest regrets about falling ill right now is that I have missed out on an exhibition of Joan Eardley’s work. She is probably my favourite Scottish painter and I had been looking forward to the National Gallery of Scotland’s first major Eardley exhibition. Before Christmas I was too busy to find time to make the trek to Edinburgh (and to be honest, the prospect of travelling anywhere near the middle of Edinburgh at the height of the shopping season scared me profoundly), but I had promised myself that post-Christmas I’d have a few weeks to catch up. As it turned out, I did not. Grrr.
But Eardley is wonderful. The painting I posted above (“Two Children”) can be seen at Glasgow’s Kelvingrove museum. The piece is big, powerful and almost overwhelming. It feels out of time – very modern, very traditional and very much of its time .. all at once. The Eardley paintings I have been fortunate to see all share this strange quality; they also share a quiet anger, an air of resigned melancholy. Her famous depictions of children have an odd, almost urban art feel to them coupled with a traditional motif (- and I cannot resist her almost nonchalant use of lettering). Eardley’s later landscapes are almost abstract by comparison.
In unrelated news, I’m halfway through Clarke’s Jonathan Strange and Mr Norrell. I tried reading it a few years ago but gave up after 45 pages or so. This time I’m mostly confined to my bed and am enjoying taking my time with the book. Sometimes you have to be in the right frame of mind for a book to find you.
This is just to say
that amazon.co.uk is
running a couple of promotions
which end on Sunday.
I just placed an order worth
roughly £18 for some fiction
that would’ve set me back far more.
Forgive me but the books were
and so cheap.
I am still home from work waiting for the Scottish NHS to discover what’s up with me. Ms 4thEd (formerly known as Ms Bookish) is getting sick and tired of being, well, tired and sick, I tell you.
In the meantime I am reading editorials on the US not-quite-but-almost election. I am reading books. I am occasionally cooking (when I’m not exhausted). I am getting twitchy.
I can’t even write a proper, entertaining blog post anymore. Boo.
One of my current preoccupation is the idea of public writing – that is, writing/lettering/typography found in public places and spaces. I take photos whenever I see somebody doing something interesting – whether they be commissioned or non-commissioned pieces. I have even tentatively put together a small Flickr-set of some of my photos.
One of my favourite examples stem from my erstwhile hometown of Copenhagen, Denmark. I was walking along a wall when I noticed the street name elaborately carved into the bricks. Above the carved brick you had the traditional blue-white street sign with the same name. Two centuries of labelling streets in one go. I was excited by the juxtapositions: permanence vs. easily replaced and serif vs sans-serif. I was also excited by how the contemporary street sign had been placed higher than the carved brick as if to exercise its dominance, its importance.
One of my Scottish friends, Fi, works as a curator and we recently spoke about the concept of public lettering and writing. Fi mentioned that the first thing was sprung to her mind was the Scottish Parliament’s Canongate Wall. It is absolutely fascinating: various stones with quotes on Scottish identity and history are inserted into an outer wall, so anybody walking along the street will be asked to reflect upon Scotland, art and identity. Even the pavement has slates engraved with sentences. And, as I agreed with Fi, that is really a great example of public space and writing being combined to great effect.
And then you have non-commissioned stuff like graffiti and posters and random notes put up in windows..
Ah, 2008. How wonderful to start off a new year with being unwell (hence the ‘no update’ bit). I spent most of New Year’s Eve in hospital and have spent all of 2008 (so far) being unwell. This ranks as possibly the least promising start to a year.
But I am at home in my pyjamas, alas. I drink (decaf!) coffee, sleep a lot and read when I am awake. I’m currently making my way through the latter stages of Sarah Waters’s The Night Watch which has proven substantial enough to keep me interested and lightweight enough to allow me to sleep when I need it.
Here’s to 2008 improving.
Merry Christmas everybody
TS Eliot was a Doctor Who fan fiction writer?!
While ‘Four Quartets’ has received due attention for its literary merits, until now no critic has touched on its merits as a piece of fan fiction.
Well, I laughed.