What a lovely surprise I got this morning. We are having family visiting due to Glasgow hosting the Commonwealth Games and as soon as they left for another day of sports, I sat down to check my inbox. And then I started giggling.
I just got my first cover, folks, and I had no idea it was happening.
Several months ago, I was approached by the lovely people at Let’s Knit magazine. They commissioned me to design a hat/gloves set celebrating my Scandinavian heritage. I also did an interview with them talking about my family background, how I got into designing, and why I am passionate about getting other people thinking about crafts.
And I started out sketching my design.
I was watching a film from the early 1930s when the initial idea came to me, so I knew I wanted a 1930s colour scheme. I had just finished working on a big colourwork project so I used the left-overs for the swatch but I already knew the green wasn’t quite right. I needed a cooler seafoam green. Next came the idea to do very, very straightforward colourwork. I picked some of my favourite motifs and played with them until I had some simple, fun motifs I could scatter across my canvas. I drew upon my knowledge of Faroese knitting which is more geometric than Shetland colourwork – and I ended up with something that was super-cute and super-fun .. even for people who are not that confident at colourwork.
I was very lucky that my Let’s Knit editor was onboard with my ideas very quickly and knew what I meant about getting the right colours. Sarah suggested looking at Jamieson’s Spindrift which is a wonderful British yarn that comes in a myriad of colours. I have used Spindrift before and it knits up beautifully. The pattern only uses three colours, so working out a colour scheme is relatively easy.
Let’s talk colour substitution. I would suggest looking at it the following way:
Neutral Background – make sure to match this colour in terms in warm/cool undertones. My sample used Pebble, a white with a cool, grey undertone
Main Contrast – make sure to choose something that makes a statement as it’ll dictate the overall look of the knit – the sample used Eucalyptus, a cool seafoam green with a grey undertone
Second contrast – make sure this matches the other two colours but make sure it doesn’t take over the entire look – the sample used Sorbet, a cool mid-range pink with a grey undertone.
Here is a warm version (using Granny Smith, Lipstick and Mooskit) – it feels less vintage and more playful:
Or maybe a slightly more modern colour scheme? You will still get the contrast but with a dark background (Yellow Ochre, Eesit and Shaela):
The colour combinations are endless. This is partly what I love about colourwork – you get to paint with yarn.
I cannot help but feel that autumn is on its way – I am utterly delighted to have secured the cover of Let’s Knit and I can see many other new patterns are heading out into the world right now. I love this time of the year.