Words, Language and Politics, oh my!

The other day I was watching an interview with Peter Carey on BBC News following the Australian apology to Aborigines. I suspect BBC anticipated an in-depth interview about Australian identity and a smart post-colonial take on Australian history. Instead they got themselves a cagey author who was possibly the worst interviewee I have seen in a long time. Carey didn't answer his questions, he rejected the interviewer's research, he contradicted himself constantly and, let's be frank, he came across as insufferable and self-indulgent. An absolute train-wreck of an interview.

In the wake of Peter Carey being interviewed, I sat wondering about writers and language. I always thought that if you were the Peter Carey sort of writer - i.e. acclaimed, award-winning, Booker darling, taught in universities - you would have a natural affinity for language whether spoken or written. You would effortlessly construct arguments using precise, yet beautiful language. Or am I sorely mistaken? Are writers like Peter Carey (and Martin Amis and Graham Swift and Alan Hollinghurst etc) like me? When speaking, I am still an able communicator but I feel most at ease with language when I am typing away.

Gosh, maybe writers are really just like you and me! But with an agent and a publishing deal and a NYC penthouse, of course.

In unrelated news: I do not miss living in a country which expels people without a trial. I have been asked to highlight a Facebook group for Danes protesting the lack of trial. Go join. Or write indignant letters to your local MP.

It's Really All About Me


Karie by the duck pond, late 1970s

Today is my birthday. I turn thirty-two - it sounds so grown-up to my ears, and yet I still feel like the child feeding the ducks in the midst of winter. Happy birthday to me because today, it really is all about me, hooray!

Okay, it is also a tiny bit about all the greetings, mails, texts and phone calls. Thank you all.

The Evening Before the Day

Having just finished Scarlett Thomas' "PopCo", I find myself longing for non-contemporary novels. I have been reading many books recently but all have all been written within the last thirty years. I long for a different sort of prose, a different perspective. And so I have been looking at my book shelves, thought about the books I have had to abandoned earlier in my life, and then I finally uncovered James Joyce's "A Portrait of the Artist as a Young Man". The choice was between "Portrait", "Ulysses" and Sterne's "Tristram Shandy". Clearly I'm going for the easy option because, well, I'm like that.

But I have a credit card and access to amazon.co.uk. I also have ideas (some borrowed from Harold Bloom, others from Clifton Fadiman and finally a few picked up along the way) about what to buy. But I want to ask you for a recommendation.

    The criteria:

    written in English

    written pre-1940

    fiction

    novel-length

    nothing I will have read before (which excludes all of Austen, actually)

Feel free to add as many slightly left-field recommendations as you'd like and, if you want, your reason for recommending the novel.

In other news, I foolishly thought I would take tea with some good friends today (it is my birthday tomorrow). This led to a collapse in public and a subsequent three-hour nap. Sometimes I forget how little energy I actually do have and that I cannot just dismiss the lack of energy. Unfortunately every little action has a consequence.

Saturday Linkage

Why smart songwriting is huge in Sheffield and guitar-pop thrives in Glasgow: You hear where you live? An interesting look at how geography may help shape your taste in music - whether you are aware of it or not. Meanwhile, it's nice to note that Hillary Clinton wants to share her political views with the part of the American public who are devoted to gossip magazines: Hillary Clinton: My Worst Outfits!. Not only is it low-brow journalism - it is also low-brow journalism that panders to stereotypes (i.e. why is nobody asking John McCain to go through his fashion mistakes?) and makes the vast mistake of underestimating women voters.

Finally, I followed the Beeb's The Genius of Photography when it was aired last year and was very pleased when I found Jörg Colberg's blog where he writes eloquently about fine-art photography. His What Makes a Great Portrait? stands out as a wonderful meditative essay on portrait photography. Not only does he cite many examples of portrait photography (and I should point out that some of these may not be entirely safe for work as they include nudity and violence), but Colberg explains why he thinks some photos work better than others. It is hugely inspirational and educational for an amateur photographer like myself.

Oh, and a music recommendation on the fly: Alaska in Winter is on constant rotation in our home. So gorgeous.