Something for the Weekend

My new autumnal knitting project. I started working on it last night whilst watching Digging for Britain, a programme about British archaeology. When I was a teen I wanted to be an archaeologist specialising in Neolithic sites (you get a lot of those where I grew up). Then I went out on work placement and realised that the majority of the job consisted in mapping the landscape and measuring soil depths. Clearly not my thing, but I still love learning about middens, neolithic settlements, and migration patterns. As you can imagine, I've always been a riot at parties. Anyway. Knitting.

I am completely smitten with the new Kim Hargreaves collection, Touching Elegance. It ticks a lot of my boxes: sumptuous colours, defined silhouettes, 1920s/1930s styling and copious amounts of warm fibres. I was torn between Eleanor, Ella, Nancy, Mae, Nellie, Isadora, Patsy and Delores - I told you I was smitten - and have sort of hedged my bets a bit (more on that later when I figure out if I'm right in doing what I'm doing). The collection feels a lot more grown up than my usual thing, but I think the colour palette has a lot to do with that. As you can tell from the photo, I have chosen a less than sombre colour - Rowan Baby Alpaca in Cherry Red, kittens.

Also in the photo: fabric. It's a long story but I have been roped into doing a public sewing demo next week. Don't ask. I'll be making an Amy Butler Barcelona skirt complete with lining and a hidden zipper. I'm petrified as I have not done any sewing for about two decades and all my sewing terminology is in Danish. Sewers everywhere, weep for your art and craft. On the plus side, I got to choose the fabric myself and I cunningly chose a design which matches my autumn knitting project. It'll be fine but I will be poring over sewing instructions and blogs the next few days.

Also on the agenda the next few days: a Joseph Beuys exhibition (I'm not huge fan of Fluxus, but I also have to step outside of my comfort zone now and then) and DK:KNIT, an exhibition on experimental knitting design hosted by the Danish Cultural Institute in Edinburgh (this means I'll be in Edinburgh on Monday, by the way. Give me a shout if you want to meet up for coffee).

Assorted linkage: Other Half loves this poster but I just cannot get beyond how Freudian it is. Or is it just me? Save the Words! is a beautiful application although most of the words are surely inkhorn terms. And this Icelandic jumper spotted at the Reykjavik Pride Parade is just about the best thing ever.

Thank Yous Are Long Overdue

I'm having a pretty awesome week for various reasons and as a result I have not had much time to 'grap a cuppa' (as they say here in Blighty), sit down and think about what's going on. I am not complaining about awesome things happening, but I do appreciate having time to breathe and having time to reflect. First, though, a big thank-you to some very generous people.

Roobeedoo and I had a quick conversation whilst at Knit Camp and it went pretty much like this:

Me: You look like you! R: You look like you too! Me: I have some vintage sewing patterns. You rock vintage sewing patterns. You want them? R: OK! Me: Cool! R: I'll take a photo of you first before I go look at Knit Camp vendors! Me: Ughdfsagr..

And so vintage patterns were sent north-wise and in return I received a very chic 1960s sewing pattern. Oh, and some yarn which was totally not part of the deal but who am I to complain when it's two balls of Drops Alpaca in a very fetching coral-pink-red shade. Funnily enough I have some grey Drops Alpaca in my stash and I'm sensing stripes + wristwarmers + hat ..

Earlier this year my friend Paula ran The Race For Life and I had chipped in as part of her sponsor deal. As a thank-you, Paula made me a personalised scissor fob in my favourite colours and I received my gift this week. I'm using the fob as my keyring (alongside a felted sheep - don't ask) because that way I'll get to see my gift every single day. I'm a huge fan of handmade presents.

And finally Ms Old Maiden Aunt handed me a Knit Nation goodie bag, a Sanquhar gloves kit (because I'm a big sucker for local history & knitting traditions) and her Tangled Yoke Cardigan. When I protested about the amount of gifts, she told me that she was bribing me into knitting her a Laminaria shawl. Hmm.. cunning plan, Lilith!

Now, I'm off to sit down with my new autumnal knitting project and hopefully having time to ponder various going-ons. It's been a mad week so far and it's not over yet.

Far-Flung

One of my favourite dishes is the humble tabouleh - a Middle-Eastern bulgur salad. Whenever I make it, I try to make enough for several days but I always end up (like tonight) scoffing down whatever is left over from dinner. This is a pretty good, basic recipe. When I chop the tomatoes I remove the seeds beforehand (this makes the salad less soggy) and I use a blender to chop the herbs because I'm too lazy to spend thirty minutes chopping parsley/mint. Whenever I make tabouleh, I think of my friend Liz. Liz grew up all over the world - a true corps diplomatique child. She spent a good part of her upbringing living in far-flung countries and she would hang around in the kitchens watching local chefs preparing food. Liz's arsenal of dishes is therefore very different to all my other friends. Not only did she introduce me to tabouleh, she also taught my taste-buds to appreciate fruits used in savoury dishes, made me fall in love with American pancakes, and made me dream of zabaglione everytime I see ripe raspberries.

And then there is Atole.

Liz would cook Atole for us on cold winter nights. We'd clutch our hot mugs whilst standing on her balcony overlooking Frederiksberg and the world would be reduced to hot milk with cinnamon and sugar - and so everything would be alright with the world.

I miss Liz a great deal. She's here in the dishes I cook and in the things I enjoy, but good cups of tea and hot mugs filled with Atole are scant replacements for her company. When I miss Denmark, I miss people rather than the country. I left Denmark four years ago. In so many ways it feels like it has been a lot longer.

Ah, homesick for Denmark. Let's put on some (Swedish) music and dance around for a bit..

Saturday Muddle

This is pure unadulterated lust. 1300 yards of peridot green with hints of bronze. Alpaca/merino/silk. Lace. Lust. My brain is galloping through all the relevant patterns. My heart is beating fast. You non-knitters, you have no idea how a knitter's pulse can race just by looking at some yarn. It is a heady feeling. Thankfully the yarn is already mine as I actually dyed it myself yesterday afternoon. Woo.

Isn't it funny how I can always make time for lace knitting even though my knitting schedule is already full? Is that similar to how sock knitters think? Just one more skein of laceweight sock yarn? Just one more shawl pair of monkeys? Maybe I can relate to the sock knitters after all.

I really did not mean to make this yet another post about knitting, but somehow I succumbed. I do have links to share, but first: more knitting!

I finished the first of my The Vicar's Mitts and I'm overjoyed. Most glove patterns run too big for my ludicrously tiny hands. They are much too wide and then paradoxically too short for the upper part of my hand ("this bit") which therefore must be longer than the average hand. Witness the joy of designing a pattern that fits you like a .. erm .. uhm .. er..  glove!

If I were to be critical, I'd probably want to extend the corrugated ribbing cuff for added warmth, but I'm thinking a longer cuff would ruin the look. And I love how it looks and fits. I should do this self-designing lark more often. It's very gratifying.

(I do apologise for the photo. it is the oddest thing: on Ravelry the photo is crisp and beautiful; uploaded to Flickr, the same photo turns overly sharp/defined; here it turns blurry. What gives? And no, the glove hasn't been blocked which is why it is slightly lumpy.)

So, links.

  • Firstly, a knitting link. I love Patsy. I think a red Patsy & I are meant to be. I have a cunning plan.
  • Persnickety Snark has posted its Top 100 YA Books. Funny how so much YA literature is superior to so-called "grown-up literature" (Philip Pullman's His Dark Materials is one of my all-time favourite reads. Ian McEwan's much-praised Atonement isn't. ).
  • One of the few sewing blogs I read had a fantastic entry: We Live in a Good Body. I have my own reasons for having assorted body issues, and I found it strangely .. affirming to read Gertie's entry: "I think so much of our culture is built around the idea of somehow getting another body, as strange as that may sound.(..) I've certainly spent plenty of time buying into the idea that I could somehow have a "better body" if I just did something differently. There's no upgrading to a better body in this lifetime. I already have a body, and it's a good body."
  • This Air New Zealand in-flight video made my day. I don't even think you'd need to be a Kiwiphile to get a kick out of it (although if you are, yes the soundtrack is The Exponents)
  • Karl Lagerfeld amuses me endlessly. I don't know why. Or maybe I do.
  • AfterElton.com looks at obsessive fandoms. I'm long out of 'fandom', but I still have scars to show from my brief journey into X-Files fandom all those years ago. Although I've met some great people through my fannish years, I've also seen quite a bit of scary behaviour. Really scary behaviour.

And on a final note, I have definitely become Middle Class with a capital Em and Cee. I went out shopping for booze (long story) and I came home with organic ginger beer from a local brewery. Well then.

Linkage & More

LarisaMy commuting project is zipping along nicely. I'm currently knitting the Larisa scarf for myself in Kidsilk Haze, shade 582 (Trance). The beads are teardrop-shaped beads from The Bead Company. Recently Rhiannon finished knitting Larisa and seeing somebody else's version of your own design is the coolest thing imaginable (it felt even better than when I got published some years back and that felt pretty good). I have no deadline for this scarf - it is just a portable project and if I can sneak in one or two repeats of the lace pattern on the bus, I'm happy.

I'm currently waiting for the new Kim Hargreaves book, Touching Elegance. Clever people have tracked down some blurry photos from eBay and I've been trying to guess which yarns were used for the various designs. Straight off the bat, I'd say that Patsy is my favourite. Not that long to wait, though, as the book should be arriving in stores next week (should being the operative word). I was wearing my Icelandic jumper earlier today in anticipation of proper autumn knitting (the weather is still a bit too warm, though) and I cannot wait to get started on some lovely woollen cardigans.

Mmmm. Wool.

Some linkage:

  • Frank Kermode has passed away at age 90. Absolutely devastating. In the words of one of the Guardian's commentators: "On behalf of English Literature graduates the world over, thank you Frank. R.I.P."
  • Morrissey's 13 Favourite Albums are exactly as you'd imagine: glam rock, Iggy Pop/New York Dolls, Jeff Buckley and people who sound like Morrissey.
  • Delivering Gatsby - "How effective is it to use literature to seduce men?" (Thank you, Emme).
  • Sympathy for the Devil - Looking at the Facebook fan groups for British killer Raoul Moat, this article is as far removed from tabloid sensationalism as you can get whilst still not budging an inch. Highly recommended read.
  • Bree Sharp: 'David Duchovny' (youtube). I showed this to D last night as a response to a certain pop song about Ray Bradbury (no link: very NSFW, very crass, very funny - go seek it out). I could not believe D had not heard of Bree Sharp's 'the man, the myth, the monotone' song. It was huge in my student hall circa 1999.