A Creative Life Is Mine

I was asked for career advice recently - and quite apart by being floored by being asked, it also made me think very hard about what it is I do and why.  This coincided with a friend sharing this blog post about creativity, process and blogging with me. Forgive my rambling, meandering post, but I have thoughts in my head..

One of the most common reasons people give preventing them from doing something creative is that it has already been done. (..) It is as if there should only be a certain number of people in any creative field, as if it were a party in a small house and could get too crowded.

I believe strongly that everybody is creative - this imaginative spark is what makes us human. When I run craft workshops, I always try to push people into embracing their creative sides: 'what happens if you do X & Y? Which colours do you like? Try to combine those.' It always comes as a shock to people but I don't have a textile degree - yet I work within the knitting industry as a craft teacher and a knitting designer among other things. I don't have an art degree, yet I have exhibited my work in galleries. Does this invalidate me as a Creative? No. It just means I am autodidact and I take some interesting detours during my work process.

We are taught that creativity is the expression of a higher ideal in a finished object of great beauty and skilled execution (..) We look with lust and desire at finished products and believe they are created by specialists using talents beyond our mortal capacity to understand.

Our brains try to trick us into thinking that unless we are Picasso, Mozart or Shakespeare, we have no right to express ourselves creatively. I once read Plato. He had a few things to say about ideal beauty and our human inability to attain this. Also, the only way to become better at doing something is by doing it.  I am not a great artist, but the more I draw, the better I become. One of these days I might even become capable of describe the world I see!

We are (..) separated from our own creative power which is what makes us depend on shopping to satisfy all our psycho-spiritual needs. 

And this is key. All marketing depends upon us wanting to be someone else than ourselves. Do you want to be exotic and gorgeous? Try this dress? Do you want to be quirky and creative? Here is the perfect scarf! But what if you could make a dress that feels like you - wouldn't you feel better about yourself because you made the dress yourself, it is exactly how you want it to be, and you get to express who you are?

Even those who appear to be such ‘natural’ creators, those that have identified themselves as ‘creatives’ early in life have had some crucial intervention, some teacher or parent who told them they had talent (..) .

I guess I try to be that crucial intervention whenever I run workshops because I think it's never, ever too late to embrace to inner desire to make stuff.

Now for the crucial quotes:

The value is in the process and the finished product is a continuation of that process, affecting the lives of others, that scarf you made for your dad lives on in the process of his life. Value itself is a living process not to be confined to a number or a thing.

Yes, it is cheaper to buy the scarf and no, your scarf won't look like it was machine-knitted in China - but you created that scarf. Without you, that ball of yarn would just be a long string balled up. This is what still gets me about creation to this very day - that whole thing about making (on a related note, in Scots English a poet is a makar which plays wonderfully into the whole language-as-creation idea I once adored so much).

And

Success, slick production values, money, attention, these are all byproducts of a process of self discovery that will last a lifetime. And they may never come. If the process is right for you it won’t even matter anymore. Any stage of that process is as essential as any other.

This. This.

I don't work with knitting because I made a career decision ages ago. Working within the knitting industry is hard work, I scrape by, and it is far less romantic than you may think. But knitting defines me. I do this because I cannot not do this. It is who I am. And I am more like you than you know.

Taking Comfort

ShawlSometimes a project comes along that just makes you sigh with pleasure. This is one of those projects. It is work knitting, but it also feels like comfort knitting. This is a shawl pattern that is destined for my Doggerland collection. It is knitted in Navia Uno, a gorgeously soft yarn from the Faroe Islands. Technically it is a light fingering yarn - almost 3 ply - but I am working with it on 4.5mm needles which gives it a magical drape, yet a satisfactory weight to the fabric. I am currently on the second repeat of my stitch pattern - the world is distracting me a bit too much with other things, but I need to knuckle down as I have deadline knitting in addition to this shawl.

I am really enjoying working on this collection, though. Part of the fun is researching Mesolithic Europe but also thinking about materials that would have been available to the peoples at the time. I have decided against using glass beads and metal beads for obvious reasons - but how can I justify using wool when I cannot a) find any material on Mesolithic textiles and b) any evidence of sheep? Well, I am allowing myself artistic freedom to use wool but I will attempt to use relatively unprocessed yarn. Obviously knitters using my patterns can choose whichever materials they want, but I have had fun thinking about my choice of materials rather than just reaching for the merino/silk blend and that jar of glass beads.. as tempting as though it may be!

I have been reading a couple of non-related books, too. I gulped down Susan Hill's Howards End is on the Landing last night. I adore books about books and have a big section of my home library devoted to them. Sadly Landing is not so much a Book About Books but rather a Book About Famous People Susan Hill Has Met  - and it does suffer from it.

There are some very good bits tucked away in Hill's book: how to (not) sort books, the physical pleasures of reading a codex rather than an e-reader, collecting books over the years, and how to choose a title for book. However, the good bits are drowned out though by incessant name-dropping.

Did you know she had lunch with Benjamin Britten who liked her novel? That she once waited on a doorstep with TS Eliot? That E.M. Forster once stepped on her toes? That Kingsley Amis once said to her in 'a genuine tone' that he was very proud of his son? That she interviewed one Sitwell and recited Thomas Hardy to another Sitwell? That Bruce Chatwin's parents lived doors down from her? And so it goes on.

I am sticking to Anne Fadiman's wonderful Ex Libris, John Baxter's A Pound of Paper, and Alberto Manguel's A History of Reading. Hill's Landing ended up reading like chatter from a woman who has nothing interesting to say even about the most fascinating things. But did you know she once was on a reading panel with Roald Dahl who signed a book for her?

Sorry.

I better get back to work/comfort knitting. (Fortunately all this knitting coincides with the European Championship of Football - my homeboys won their first match!  I may have biked through Glasgow silently singing old football songs.. this is an expat thing, surely).

Drive-By Blogging

This week has been fun, stressful, and interesting. Prepare for bullet-points as I don't think my brain has the capacity for entire paragraphs. First some knitting bits:

  • Rowan has published my Windsor hat pattern. It is free and you can download it from the Rowan website.
  • I took part in another crafts/textiles conference at the University of Glasgow. Highlights: Edith Rattay from the Moray Firth Gansey Project speaking about East Coast ganseys with such authority and passion; Di Gilpin and Rosie Eribé asking questions about the heritage and future of Scottish textiles. It was a good day.
  • I had a few more commissions for patterns come through my in-box. I am really, really excited!
  • And because 2012 has been a fantastic year for me so far (which I needed after some very soul-destroying years not so long ago), I am throwing a mini-celebration. I'm knocking 12% off all my patterns until June 5th - just use "Love2012" when you purchase any of my Ravelry designs.

And some non-knitting bits:

  • I finally read some books(!). I re-visited The Great Gatsby by F. Scott Fitzgerald after some 18 years. My first thought? "That'd be a breeze to teach." My second thought? "Damn, but it is slight."
  • London Under by Peter Ackroyd was my next read. My Other Half has an affinity for psychogeography and recommended me the book. It was okay - but for a book about the London subterrain it did skim the surface an awful (if you'll pardon me the pun).
  • I am quietly addicted to W.E.L.D.E.R. - a word game for iPods and iPads. I am yet to get beyond level 10, sadly.
  • Eurovision came around and it was awesome. While I do have opinions on the proceedings, so far I am just listening to Loreen's "Euphoria" for the 464th time.
  • And you may enjoy the Overthinking Person's Drinking Game. Hic.

Work In Progress: Doggerland

The weather in Glasgow is hawt - as in 'I need to stay indoors or I shall melt' hot. I have put aside my cardigan project for the time being - although I did find time to separate for back and sleeves - and I have been yearning for a shawl project. Small, light and portable is acceptable for Surprise Summer knitting, right? I had no shawl patterns on the go, so trustworthy Ravelry came up trumps with a delightful shoulder shawl and so I cast on for it the other day. I abandoned it just as quickly. The shawl was not to blame - it was beautiful and very well-written - but I kept going "but if I change that and, oh, you could insert a lace repeat that spanned that section.." Evidently I did not want to knit a shawl; I wanted to design a shawl. I have long wanted to work on a new collection and today was that day. I am currently working on a chart quite unlike anything I have ever worked on before. My other patterns have all been triangular, aimed at beginning lace knitters, easy to modify and rather intuitive. The new shawl pattern will be a semi-circle, aimed at confident lace knitters (although it still has rest rows rather than lace worked on both sides); and you won't be able to combine charts as you please. Working on this is exhilarating, scary and a learning curve. I cannot wait to show you the final shawl.

However, what I can show you is the moodboard I put together for this collection and also explain a bit about the inspiration behind the collection (which will contain other patterns than just shawls).

The collection has a working title of Doggerland, although that is likely to change. Doggerland is a submerged landmass between Great Britain and Denmark which was last inhabited during and after the last great Ice Age to hit Europe. Today Doggerland is covered by the North Sea but once it was a rich, fertile habitat for prehistory humans. Maritime archaeologists are incredibly interested in Doggerland as the seabed may yield fascinating insight into Mesolithic life.

The Doggerland collection is using yarn from the North Sea regions - Britain, Faroe Islands, and Denmark - to explore organic textures inspired by Mesolithic prehistory.

I took a lot of inspiration from visits to the prehistory sections of The National Museum of Scotland and the National Museum of Denmark. I took a lot of photos on worked flintstones, carved antler bones, well-preserved fykes, and excavated shell middens. Lately I have also thought a lot about the landscape - although this is a construct at best - with peat bogs, rolling hills, estuaries, ferns, moss and lichen. Colours play an important role in me imaging Doggerland - expect a lot of earthly tones combined with mossy greens and pale greys.

And so back to work..

Biking in Glasgow

BikeI have been biking in Glasgow since mid-March (so, two months). Here are a few observations. First, though, you should know this about me.

a) I am Danish and have been biking since I was two or three.

b) I grew up biking in a small rural community in Denmark with no cycle paths.

c) I spent the majority of my adult life biking in Copenhagen which is an enormously bike-friendly city.

d) To me, biking is not a sport or leisure activity. Biking is a mode of transport - a way from getting from A to B.

Some background:

I moved to Glasgow in 2006. The six years between moving here and me getting a bike are the longest I have ever gone without a bike. Initially I decided against getting a bike due to traffic running in the left lane rather than the Continental right and then I was unable to bike for a number of health reasons. However, I had been toying with the idea for some time and I eventually bought my bike in March 2012.

What made you decide to get a bike?

We don't have a car in our household which means I had become reliant upon public transport. Public transport in Glasgow is not great: bus routes are frequently illogical, you cannot transfer from bus to subway without getting a new ticket, and prices have shot up in recent years. Add to that some rather unfortunate incidents on my most-used bus route and I had had enough. Time to get a bike.

So what is it like biking in Glasgow?

It is both better and worse than I expected.

Good bits:

  • Cycle paths are readily available. I really enjoy being able to spot deer, foxes and swans on my daily commute rather than grim bus drivers.
  • Navigating left-side traffic is not terribly difficult and it is far less terrifying than I had expected.
  • Due to the nature of Glasgow, it is easy to find short-cuts and unexpected routes. You don't need to use heavy traffic roads unless you have a strange desire to do so.
  • People are easily impressed. 'I bike to work' is mostly met with dropped jaws and compliments - even if biking to work only takes me 20 minutes. I am now an exotic creature!
  • I feel an enormous sense of freedom. I don't have to wait for buses or trains. I don't have to plan my day around timetables. I can run my errands without any hassle.
  • And I am losing weight! A nice side-effect.

Bad bits:

  • Biking provokes people. I have had snack wrappers thrown at me from a passing car with matching verbal abuse. I have also had verbal abuse from random pedestrians. Also, teenagers have jumped in front of me trying to make me swerve into oncoming traffic which was an new and exciting experience.
  • Cycle paths are not always ideal - for my money, cobbled streets are the work of the devil - and occasionally interesting to bike down (there is one part where I'm likely to fall into the canal if someone tries to pass me).
  • Cars will often park right across your cycle path leaving you few options where to bike safely.
  • Cars will also stop and block your way without any indication - and drivers will also open their doors without notice. I have had this in Denmark too although not to same degree.
  • People associate biking with sports, so most of the gear available is decked out in florescent colours and is very over-priced (presumably because it is marketed as 'high-tech'). I sometimes wear a skirt when biking - this confuses many of the other cyclists who are mostly wearing Lycra.

Any tips?

  • I try to make myself as big as possible when I bike on normal roads. I don't crawl along the kerb as I believe this'll make drivers less careful around me. Instead I bike maybe 3 feet away from the kerb and I make sure to exaggerate any arm indications I am making.
  • I do not wear big florescent jackets  for the same reason as above. I believe wearing these jackets will actually make drivers less careful around me as the 'safety gear' indicates a certain level of invulnerability. I wear my normal clothes but add florescent strips at night (as well as lights, of course).
  • I wear a bike helmet. I see people without helmet and while I used to be one of them, I wouldn't do that here in Glasgow.
  • Get in touch with Sustrans who can provide you with info on local cycle routes.
  • Assess your local landscape before buying your bike. I wish I had bought a bike with five or more gears, but I opted for a three-gear bike before I realised just how hilly Glasgow can get on a bike. I love my bike to bits, but it is not as practical as I would have liked.
  • Be prepared to justify your existence on the road. Biking is not as much of an integral part of your average lifestyle (unlike Denmark) so you have to be prepared for some offensive comments and behaviour.

Finally, would you recommend getting a bike?

Yes. It is the best thing that has happened to me in a very long time.