Out of Joint

About two weeks ago I was working for a client in a yarn store when I suffered an accident. Some big shelves fell on the back of my knee and I was left with a very impressive bruise. As the bruise faded away, I expected to be back to normal but unfortunately my knee is still bad.

I went to the A&E last week and they concluded that while I didn't have a fracture, the overarching conclusion is that I have torn or badly bruised my lateral collateral ligament. The LCL stabilises the outside of the knee and also grips the fibula (the outside bone of the lower half of the leg). I have an appointment with an orthopaedic clinic next week and hopefully that will lead to physiotherapy.

For me, enforced rest is always difficult. I like being active and I get easily bored if I'm restricted in my movements. I have kept myself going by writing patterns and doing some sample knitting, but as the days have passed I just feel increasingly worried about how long this is going to take and what that means for my working life. While it has been great to dig into some editing gigs, I have been forced to cancel quite a lot of jobs. March is going to be an exceptionally lean month, in other words. Being self-employed means a huge amount of freedom but it is also a precarious way of making a living.

Yesterday I celebrated my birthday and it was a curiously low-key day. I received some lovely presents (among others: my bestie gave me an ace book on Doggerland and my parents gave me a fantastic-sounding novel about 18th C Danish colonisation of Greenland) but most of the day was spent resting in bed. We caught a taxi down to the best burger joint in town but although I enjoyed being outside Casa Bookish, I ended up in considerable pain (and waking up in the middle of the night begging for painkillers is not the best way to end my birthday).

So it is a hermit's life for me right now.

(If you need anything tech-edited, copy-edited or actually written, now is a fantastic time to get in touch (just fill in the form). If you were considering buying one of my patterns, now would be an equally great time to do so! If you want to recommend any knee exercises, leave a comment!)

Doggerland: the Vedbaek Shawl

The Vedbaek shawl is the latest pattern from my Doggerland collection. Vedbaek is also one of my favourite things I have ever designed. When I began designing the Vedbaek shawl, I started by reading a lot about the Mesolithic finds of Bøgebakken, a site within the small seaside town of Vedbæk, Denmark. Between 1987 and 1990 more than 79.000 Mesolithic artefacts were found in a small contained area.The finds spoke more of a community than any other Mesolithic site I had read about up to that point.

And so I wanted to design something that spoke of people whose lives were inextricably tied to the sea and the rhythms of nature. People whose lives had a rhythm tied to seasons and a specific landscape. I also sought to design something that had a meditative rhythm to its own construction - something that would give comfort both while it was being made and afterwards.

Vedbaek is a story of continuity. It is also a story of making sense of life and carving out a space within everyday life.

One of the most poignant stories uncovered by the archaeologists was the one of the mother and child found sharing one of the graves on site. The mother was young - maybe no more than eighteen years old - and had died in childbirth. Her new-born baby had been placed right next to her. The mother had been adorned with snail shells and animal teeth; the baby was resting on a swan's wing.

That image of a swan's wing offering comfort captured me. It is a powerful image. We will never know what a swan's wing meant to Mesolithic man, but we can imagine words like flight, preciousness, grace, and (as anybody will know if they have disturbed a nesting swan) protectiveness.

The Vedbaek shawl is the end result of that design process. It has long, deep ridges that end in elongated points. I thought of spears used to capture fish and I thought of flint arrowheads secured to long, thin reeds. I also wanted to capture that wonderful, affecting image of the swan's wing. I wanted to make something with the weightlessness, grace, and beauty as the single swan's wing cradling something lost, something precious.

I knitted Vedbaek in Snældan 2ply (which is actually a 4ply) and I used almost 2 skeins of it. The yarn is lofty and soft (particularly when blocked) and the shawl is big, yet lightweight. Absolutely perfect.

It has been a long time reaching this point of finally release Vedbaek. I feel it is a bit ironic that my own life fell short of its own internal rhythms and comforts to the point where I could not release a pattern which is intrinsically about framework, rituals, rhythms, and solace. But we all muddle through somehow, don't we? Life takes its own quirky detours and I did have a beautiful shawl to wrap around my shoulders when life got cold.

I like telling stories through stitches.Vedbaek holds so many of them - both deliberately and accidentally.

Freebie Pattern: My Heart in My Hand

It is that time of year again. February. February is my favourite month of the year. It is short; the days are getting longer; Valentine's Day means presents; my birthday means even more presents. This year we also have the Winter Olympics in Sochi to make the month seem even more colourful. So I thought I'd post a little free pattern for all your Valentine/birthday/Sochi needs.

Fuelled by coffee and my love of late 1980s synthpop, I give you..my heart in my hand. It hasn't been tech-edited, it's nothing earth-shattering, and you won't get a fancy PDF (or a glossary). On the other hand, it uses up tiny amounts of yarn, it is very quick to knit and it is versatile. I am going to wear my heart in my hand as a brooch - but you can turn it into bunting, use it as a bookmark, stick it on a card or (if you make two) a pin cushion. The last bit is particularly useful if you want to practise voodoo on an ex!

(Why am I mentioning Sochi? Why am I doing a rainbow heart? What does it all mean?)

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MY HEART IN MY HAND

Materials:

sportweight/light DK yarn (shown using Rowan Felted Tweed) - 10 yrds max 3.25mm needles tapestry needle for weaving in ends

gauge is not important but aim for roughly 25 sts over 4 inches, if you must.

(Rainbow version uses the same pattern as below but changes colour every fourth row. I used shades 150, 154, 161, 167, 181 and 186 - take care when you weave in ends)

Instructions: CO 2 sts

Row 1: Knit Row 2: Kfb into both sts. 4 sts Row 3: Knit (slipping first st of this row makes for a prettier edge)

Rep rows 2 and 3 another 6 times. 16 sts

Knit 4 rows

Row 19: k8, turn w rem sts put on waste yarn (or kept unworked on needle) Row 20: ssk, k4, k2tog. 6 sts Row 21: Knit Row 22: ssk, k2, k2tog. 4 sts Row 23: ssk, k2tog. 2 sts Row 24: k2tog and pull yarn through st.

Pick up rem 8 sts and rep rows 19-24.

Weave in ends. You can make the heart shape even more prominent if you use the end of yarn from where you rejoined yarn at the top to pull in the centre of the heart a tiny bit.

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If you really, really enjoy this pattern, please consider donating to your local LGBT charity.  Spread the love. Love is never a crime.

Twin Practices

Knitting, if acquired in youth becomes so mechanical an employment that the occupations of reading and knitting can be carried on simultaneously; while the benefit of early training in this work is felt in extreme old age, and when the sight is dim or lost, a pleasant creation is still open for the experienced knitter - from "Myra's Knitting Lessons. No.1" circa 1800

I still haven't really mastered it - I find it easier to knit along to TV, films and podcasts. And thank you to Louise Scollay of KnitBritish for pointing me towards Myra's Knitting Lessons. How marvellous.

In Her Soft Wind I Will Whisper

Lady on the left? My great-grandmother. She would have been ninety-eight today. The photo was taken in the early 1950s outside her cottage and she is with two of her sons, K and T.

I have several photos of her; my other favourite is from the 1930s when she was approached by a travelling salesman who wanted her to become a hair model. I presume she shot him one of her withering glances. The photo shows her with long, gorgeous hair. I was told it was chestnut-coloured. The photo is black/white.

I was lucky enough to grow up around her. She looked after me when I was pre-kindergarten and I spent most of my school holidays in her cottage. Her cottage did not have running water until I was maybe seven or eight and never got central heating. I can still envision her sitting in her chair in front of the kerosene-fuelled stove. She'd knit long garter stitch strips from yarn scraps and sew them into blankets. I think she was the one who taught me to knit. She was certainly the one who taught me how to skip rope.

Happy birthday, momse. We may not always have seen eye to eye, but we loved and understood each other. And I still miss you.

Title comes from this beautiful farewell song (youtube link). Post reposted from 2009, 2010, 2011, and 2012 with Momse's age amended. I continue to miss her.

A Few Announcements

Public service announcement #1: my Eyre Shawl pattern is now available from p/hop. It's "free" in the sense that you donate what you think it is worth to p/hop (which is a fundraiser for Médecins Sans Frontières/Doctors Without Borders). I donated Eyre after reading about MSF's work in the aftermath of the Philippines typhoon. More than 14 million people have been affected by the Typohoon Haiyan hitting the country in November; more than 4 million people were left homeless; several million people have seen their livelihoods severely affected; and nearly 5,000 people lost their lives with many more still missing. In the face of such devastation, donating a shawl pattern felt like such a small, insignificant thing but hopefully it will make a difference.

Public service announcement #2: the long-awaited Vedbaek shawl pattern from the Doggerland collection is close to being released. I'm waiting on some final bouts of tech-editing right now. I've been asked what yarn people will need for this project. Personally I used nearly 750 yards of beautifully bouncy 4ply from The Island Wool Company.

Public service announcement # 3:An amazing event is taking place in Brighton, UK this summer: Unwind Brighton - 12-13 July 2014.

The line-up of teachers is unbelievable: Veera Välimäki, Ysolda, Carol Feller, Bristol Ivy, Rachel Coopey, Kirsten Kapur, Ann Kingston, Olga Buraya-Kefelian, Woolly Wormhead and .. er .. me.

I’m teaching three classes: Knitting with Beads on Friday, July 11 + Continental Knitting on Saturday, July 12 + Beginning Crochet For Knitters on Sunday, July 13. All classes are half-day classes and cost £50. Find out more about booking classes here. The marketplace is going to be equally fabulous - it’ll take place on Saturday and Sunday and hosts some of the most sought-after indie dyers in the UK and abroad. The entire event looks set to take over the arty, bohemian “London by the Sea” and it is organised by Dani Sunshine of Lionessknits.

You can keep up with news and info about classes/events/marketplace on the Unwind blog. There is also a Ravelry group for all your plan-making needs

I am super-excited about the line-up and the whole “let’s chill out in Brighton by the sea, oh yes” thing. It feels like this could well be the new Knit Nation: a cornucopia of UK-dwelling designers & yarnies + international names. People are already booking flights frm all over the place - I know Norwegian, Danish, Dutch and Scottish knitters who are all coming. Will you join us?