On Education, Where Life Takes You & Knitting Patterns

Recently I was contacted by a spammer who wanted to pay me for allowing him/her to post on this site. Needless to say, I ignored them but the suggested topic about higher education did stay with me. I am currently working on translating Danish knitting pattens into English. I am working from extremely well-written and lucid knitting patterns which makes working on them an absolute joy. However, they are also written in a typical no-nonsense Scandinavian style with very minimalist instructions. The designer knows her knitters will be familiar with that style of instruction and trusts that they know what she means. The actual knitting part of this translation is very straightforward - 2r is easy to translate into k2 - but bridging the gap between two pattern traditions is the actual challenge. I want to be utterly faithful to the original pattern while also making the English version easy to understand for knitters accustomed to patterns which guide you through every step of the process.

It's a lot of fun.

I have an academic background and I often encounter people who wonder why I "wasted" eight years of my life at university when I could just have walked straight into my current freelance life. I look at it very different. I think I use my educational background every single day in everything I do.

Pattern writing? My time teaching technical writing at university taught me a lot about building structure and parsing complex information in limited space. That ability is worth its weight in gold and extends into many, many aspects of my current working life.

Translating? Listen, if you are serious about translating from one language to another, you need to understand how languages work. You also need to understand cultural and social concerns of both the original language and the target language. Your biggest challenge is to render all your hard work invisible for the target audience. Six months picking grapes in Spain will not prepare you for translating Lorca, in other words. I spent years having to learn how to tell one kind of subordinate clause from another. I am not saying I still remember them all, but I can delve into the minutiae of language as a result.

Teaching? It goes without saying that I still use all the tricks I learned whilst teaching at university and at private companies. I learned to deal with different learning styles, different skill levels, and how to make students feel confident enough to go problem-solving on their own.

Finding design inspiration? As unlikely as it sounds, I also use my education here although it was in a non-creative field. I love early 20th century culture and my two main mood boards on Pinterest reflect this. I did a lot of work on early 20th century poetry (and typography - hat tip) and these things still influence me: I attempt to pare things down and reduce design elements. I think about why I want certain designs to look a particular way and I try to maintain a certain structure throughout key designs. Maybe if I had gone to art school I would approach designing differently? More organically?

I was lucky. I went to university in the mid-90s and early-00s. I did not have to pay tuition fees and I was at liberty to pursue niche interests at great length (as weird as it sounds, specialising in modernist print culture doesn't make you hugely appealing to the private sector. Who knew?). I did not have to get a part-time job as the Danish state funded me and I have no student debts now. Needless to say, those days have gone and young people are facing uncertain futures.

My message is, though: education is never wasted. You may not end up doing anything that has anything obvious to do with your degree but if you are serious about your studies, you will end up with a set of skills that'll last you your entire life. No matter where it takes you.

Frontier & A Bike

Blog Photos March 2012My knitting mojo seems to have returned - although I probably jinxed it by saying that. I have finished two things - neither of which I can show you right now - and I have cast on for a new project. Luckily I can show you this one.

This is going to be Frontier by Julia Frank. Julia is a knitwear designer that works within the realm of deconstructing traditional knitwear ideas: she works with relatively fine yarns knitted at very loose gauge and with dropped-stitch patterns worked across large areas. Her work is a tiny bit more commercial now she is designing for Rowan: Frontier interprets the loose gauge and the dropped stitches within the context of a cropped summer cardigan. (Oh, and I also really, really like Julia Frank's Clara jumper from the recent Studio 26. Knitted bottom-up in the round with a yoke .. but this traditional construction just seems so fresh in Frank's hands.)

Anyway. Frontier. I am using Rowan Pima Cotton in "Bark". I am always wary of knitted with inelastic fibres like cotton or silk, but my hands are doing just fine. It has been a quick knit due to knitting a DK yarn on 5.5mm needles using a drop-stitch pattern. I had to adjust to the double whammy of a loose gauge and dropped stitches (either is fine, combined they are interesting). It helped when I changed from my customary circs to straight (bamboo) needles to stop the wraps getting tangled. I am just one ball into the project but I'm already at the arm hole shaping for the back.

Blog Photos March 2012In lieu of any photos of my two FOs, here is a photo of the delicious vegan date cake I had at Artisan Roast during one of my bike trips.

Yes, the bike arrived this week. I cannot begin to tell you what a difference having a bike has made to my emotional wellbeing.

When I lived in Denmark, I used to bike everywhere - it is simply part of the Copenhagen lifestyle - but I have been reluctant to get a bike here for a number of reasons (traffic & health being two major ones). Recently I have seen a rise in the number of people biking around Glasgow and I decided I might as well join them. I am so very glad I did. Apparently I never feel quite at home in a place before I can navigate it on a bike. Glasgow belongs to me  now.

I am also very amused by the male bikers on their 17-gear racers who look at me with disdain as they race past me - and whose facial expressions turn positively green with sourness when this skirt-wearing lass on a three-gear classic ladies' bike catches up with them at the red light.

And, yes, I wear a helmet and I am significantly less suicidal on a bike than I was back in Copenhagen (where everything goes if you are biking). Don't worry.

Happiness is a red bike.

Start Stop Move

I finished a little knitted thing this week but I cannot show you any details until the little knitted thing has been gifted to a very special expectant mother. And I cannot show any of the works-in-progress for various reasons. I finished no books this week either (though Other Half returned a book to me so I can get finally finish it). No sewing. No general crafting. No exciting road trips.

However, I did have a design submission accepted and my design is off Somewhere Else being knitted up and photographed! It'll be interesting to see what it looks like. I also bought a bike so I can Copenhagen-ise Glasgow a tiny bit. And I had a most wonderful latte somewhere in the still-bohemian outskirts of the almost-gentrified West End.

And in the spirit of things that make me happy:

Objects Finished, Begun and Planned

Did you know that March is Ravelry's National Crochet Month? While Ravelry is not a nation (and I think the nation in question is not mine), it does coincides with me finishing a big crochet project. Blog MarchIf you are a relatively experienced crocheter, you will know that crochet works up a lot faster than knitting. I spent less than two weeks making this shrug and I reckon I could even have had it finished within a week if I had worked on it exclusively.

The pattern is Fifi from the new Rowan Holiday Crochet book. (You can actually win a signed copy of the book on Ravelry right now. Go here for details) and I used just over four hanks of Rowan Creative Linen in "Leaf".

Interestingly, Creative Linen is technically a worsted weight, but I used a 4mm hook as called for in the pattern and it worked beautifully. I made no modifications and I crocheted a size L as I tend to do with Rowan crochet patterns. As I noted on Ravelry, I worried that the cotton/linen content of the yarn might wreck my hands, but my hands are absolutely fine. I would love to work with the yarn again - the colours are really saturated and it's very soft.

Blog MarchSeeing as Elsinore is off flying free in the world (and thank you to everyone who made it a trending pattern on Ravelry - that blew my mind!), I have cast on for a new shawl project.

But, Karie, you have way too many shawls!

Yes, but I also have a lot of shawl designs stashed away in my head and I need them to get out!

This shawl will be the very last in my planned 'Danish collection' and it will be offered in various sizes. Unlike the other shawl patterns I have released, it will be shown in two different kinds of yarn: 1) a smooth indie-dyed sock yarn and 2) a rustic 2-ply yarn. I am always amazed at how different designs can look depending upon the yarn choice and I really want to showcase this with this pattern.

Blog MarchI have cast on with Navia Uno, an interesting Faroese yarn that I have previously mentioned.

As you can see, the construction of Navia Uno is unusual (at least to this non-spinner) with two very different plies: one very tightly spun and one almost unspun. The resulting fabric is very bouncy and soft.

I have also played around with needle sizing a tiny bit. My go-to needle size for most lace is 4mm - indeed the last time I knitted with Navia Uno I used a 4mm - but I wanted something just a tiny bit firmer. So far I cannot stop putting my needles down just to caress the fabric. It is a bit disturbing, I know.

Blog MarchAnd I predict more shawls in the future. After all, I just picked up these two beauties from the post office.

Remember how I 'settled' for Navia Uno because I couldn't find my favourite Faroese yarn in Copenhagen? Well, I found an online vendor for Snældan yarn.. I know, I know..

Yarnia is based in Norway and carries a really nice selection of Snældan yarns. Somehow I managed to contain myself and only ordered two colourways in the 1ply: one is undyed dark grey and the other is surprisingly enough an olive green version. I am not quite sure how I managed to up yet another olive green laceweight.. but someone somewhere must be trying to tell me something because I ran into a hailstorm blizzard when I went to pick up the parcel.

Well.

Pattern: Elsinore Shawl

Remember yesterday when I mentioned a photo shoot for a new pattern? Well, I can show you the results now!

ElsinoreThe Elsinore shawl is now available to buy from Ravelry which is why I can now show you some of the amazing photos we shot in Copenhagen.

I had long wanted to shoot some photos in Denmark as I gather so much of my inspiration from my old homeland. Elsinore proved the perfect pattern: I designed it with a persistent idea of 'flatness' in mind: the stitch patterns are quite pared down in order to showcase the fabulous colour of the yarn. Flat and pared down .. all are words that I could use to describe Nordic light, especially during the winter months.

ElsinoreThat is not to say that I think Elsinore is a minimal shawl. I started out wanted to capture 'flatness' but the simple lines turned out to be really flattering once draped over a person.

I was really lucky that my old friend Kirsten Marie agreed to model for me. She sings, she knits, she reads, she translates, she sews - and now she models too. And Kirsten Marie introduced me to a photographer who was interested in the challenge of shooting lace shawls in the depth of winter. Win-win.

The original sample is knitted in OMA superwash merino 4ply in "strange rock'n'rollers". It took roughly 390 yards to knit the sample but I recommend 400 yards in the pattern just to be on the safe side. And as always I recommend using a 4mm (US 6) needle to give the shawl a good deal of drape. The yarn was phenomenal to work with and the colourway was very interesting: it kept changing colour dependent upon where and when I was working on it.

And the last chapter in this story belongs to my poor test knitter, S. She kindly offered to testknit the pattern whilst I was gallivanting in Denmark. Unfortunately this meant she actually testknitted most of my next pattern. Amazingly the wrong chart worked really well with the Elsinore charts and she did not suspect a thing. I felt horribly guilty when I realised what had happened - but it's intriguing that the chart worked!

Elsinore was such a joy to design and knit. It came together very quickly and proved a really relaxing knit for me. I hope you'll enjoy it too.

Denmark 2012: A Bit of History & A Lot of Knitting (part 3)

Photo Shoot Feb 2012Denmark was not just us larking about Viking settlements or eating six types of pork for lunch (true fact!). Denmark was also about knitting. I had a photo shoot! I am about to release a new pattern - Elsinore - and we had the photo shoot in the middle of the Kastellet fortifications in northern Copenhagen.

It was an incredible cold day, so whenever there was a break in the shoot, I rushed forth to wrap a warm cardigan around the brave model. The photos turned out amazing. Stay tuned!

I also met up with Signest, aka Signe Simonsen who has been published in Knitty, Twist Collective and Petite Purls among other places. She is one of my favourite designers for innovative, colourful and bold childrenswear (check ouWrapped In Wordst the Nova dress and the Viola hat!) but Signe has several, several strings to her bow as you are sure to find out in months to come. I was lucky enough to get a sneak peek at a design she is currently working on for Danish yarn company Filcolana.

And Signe's also the genius behind my current favourite attire, the I YARN CPH tee. Sorry about the photo - it is not the most flattering one of me but it is the only one I have of me wearing the tee.

Yes, I rather liked Peter Greenaway's The Pillow Book. Why do you ask?

Oh, and there was yarn. Nothing really, really fascinating because I only had a few hours to spare so I could not explore new yarns, but I did buy a vast amount of yarn: mainly laceweight - which shocks no one - and mainly of the North Atlantic variety - which should shock absolutely no one either.

My usual Snældan yarn pusher had shut down since my last visit to Copenhagen, so I 'settled' for some more Navia Uno from Jorun Garn in Frederiksberg. They have similar fiber content (though the Navia introduces some merino into the blend) but the construction is slightly different. The Snældan is a slightly overspun  single ply whereas Navia Uno is plied with a tightly spun 'thread' around a soft wool core. Navia Uno works up slightly softer than Snældan but has a smidgen less stitch definition. In other words, I should not be writing about 'settling' for anything as the two yarns are so similar and so beautiful. I am just concerned about minutiae.

Alt Om HåndarbejdeAnd then I visited a charity shop where I uncovered a pile of Alt om Håndarbejde (eng: All About Crafts) magazines from the 1970s.

Alt om was really instrumental in kickstarting my lifelong love of all things crafty and I remember trying out loads of their easy kids' projects when I was a kid. I even think the first garment I ever made for myself (a pair of shorts!) was from an Alt om pattern.

Some of the projects are just outlandish seen with today's eyes but others transcend their time period with aplomb. I only took some of the magazines with me (the rest are staying with my mum until further notice) but I picked a few with fantastic sewing patterns for dresses and skirts. I don't think I shall ever outgrow my 1970s dress sense..Alt Om Håndarbejde

There are also quite a few big knitting projects that I can admire knowing I will never ever knit them. Just look at that coat. It is absolutely stunning. I have instructed my grandmother to snap up any old Alt Om that she might come across as the tutorials are worth their weight in gold.

I tried finding Alt Om's modern incarnation - the rather splendid Symagasinet which is all about sewing - but the local shops let me down. Earlier this year I also contacted the publisher about a possible subscription but the shipping costs were ridiculous, so I dropped that idea. Oh, Scandinavia, why do you taunt me so?

Anyway. To come: a brand-new pattern release, news about other patterns, some FOs and so forth. My life's really busy right now!